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    Homegrown Day Six: Friday’s Rawk Night


    2011 - 05.07

    I have a hard time advising people on what bands to check out during Homegrown Music Festival. I was seated next to some newbies on Wednesday night at Chester Creek Cafe while two guys looked at the Field Guide like it was Sudoku. One wanted to hear metal; The other wanted Duluth’s Ke$ha or Justin Bieber.

    The former request was a little easier than the latter. Homegrown seems void of pop pageantry.

    I favor a spectacle. Bratwurst, I’m looking at you. This band has been around forevs and were pretty much numero uno on my wish list. Their lore is the stuff of urban legends. An entire stage reeking of raw meat. They toss it into the audience.

    Friday night’s set at RT Quinlan’s did not disappoint. Tyler Scouton, dressed in a white lab coat, ripping into — what, a packaged deer heart? Blood on his face and down the front of his coat. Spitting bites of it, rubbing it on his face. All the while, power tools and synths, industrial techno performance art. Whatta wonderful mess. It was like watching and listening to a Chuck Palahniuk novel.

    Hard to believe that a half hour earlier Mr. Kickass had covered “Just Like Heaven” at the same venue. (This was great, too. And more vegan friendly).

    Homegrown Day Five: Soup Town Thursday


    2011 - 05.06

    Soup Town Night. The line in the Homegrown Music Festival sand. This is where everything ramps up, the bands play louder, the 45-minute set thing is bendable, people start posting photos of their broken hotel room keys from the Androy on Facebook and a man dressed in a gorilla suit dances in a cage at the Main Club.

    Wait. Wha?

    The Moon is Down, inventors of the song “My Amazing Kite,” were on stage dressed in black, white paint with black smudges on their faces and played loud and fast and whoa.

    It was terrifying. Like that time when you were five and accidentally caught KISS on PBS and never looked at a tongue the same again. Worked through some serious flight instinct and became one with the spectacle. And there was also the aforementioned gorilla dancing in a cage. Also: Old Knifey dancing in a cage.

    Manheat followed, local reps of all things Homegrown on The Current. The guys did an in-studio performance and were the download of the day on Minnesota Public Radio’s all-music station recently. No big, right. Pains of Being Pure at Heart were there a week earlier.

    Acceleratii played two sets at Bev’s Jook Joint, just another bit of lawlessness from this band of rowdies. Now with added keyboard. They played, took a break, then played for the rest of the night. They really should be the life-long Soup Town Thursday mascots.

    Word on the streets is that Elton John’s crew made a stop at the Brewhouse. True or false, Duluthies.

    Homegrown Day Four: Hash Wednesday


    2011 - 05.05

    I’ve always said the best way to get a mess of young music fans to travel west of the Duluth Grill is to put Trampled by Turtles on a stage. True enough. Wednesday’s show at Clyde Iron Works was sold out by just after 7 p.m.-ish. That is about 1,200 people getting crunk on the Duluth natives’ signature speed-grass on Hash Wednesday of the Homegrown Music Festival.

    But first: Old Knifey and the Cutthroats … and friends. There were about 13 people on the stage for his show, which closed with that catchy bit of country “Whiskey, Cigarettes and Country Music.” True story, when Knifey released his last album, this song was stuck in my head for two weeks and it was not at all unpleasant.

    “How many people can be on stage? That should be illegal,” said the guy next to me.

    Then, Turtles. In a curious move, Trampled by Turtles played “Wait so Long” second in their set. A gutsy move, playing the crowd favorite so early in the night. To quote the guy next to me: It’s an unreasonably good song. Meanwhile Old Knifey had doubled back to hi-five people in the front row. He joined them on stage for “Whiskey.”

    There were some pretty serious moshing rules. It was like “Footloose.” Someone threw underwear on stage.

    After plenty of wicked banjo burning and fiddle fiddling, Trampled by Turtles closed out the hour-plus set with Dylan’s “Don’t Think Twice.” A good time was had by all.

    ***

    Do you ever have that situation when you’re at a bar and suddenly it fills up with belly dancers and you aren’t sure if it is because it is Homegrown or if there just happen to be a ton of belly dancers in the room? Me too.

    Homegrown Day Three: Experimental Tuesday


    2011 - 05.04

    Every Experimental Tuesday for the past two years I’ve had a great idea starring Healthy Band Music Club, that quirky collective that includes a sassafrass singer, a keyboard player, a trumpet player, a barefoot tambourine player, a guitar player and a drummer.

    Last year I wanted them to write and perform a rock opera. I still stand behind that. But this year I have two other ideas for them:

    1. Make an album and release it exclusively on vinyl;
    2. Contact Tim Massett at Zinema 2 about being the next band in his Silent Film/Live Score series. I’m thinking “Suspiria,” but a muted “Suspiria.” Or maybe a muted “Blue Velvet.”

    They sound like a plush room, wall to wall velvet, heads in laps. A band that would play in a club that requires a secret map to get to and doesn’t have a sign on the door and you have to hand the bouncer an egg. Their lyrics are interesting: “It’s not road kill … yet” and “What’s a nice boy like you doing in a trunk like this?” (I think the word was “trunk.”)

    This is the show you should regret not seeing if you missed their set at Sacred Heart Music Center.

    ***

    On to the Twins Bar where Yester was pitching against Liriano who was pitching a no-hitter. This made for some awkward moments between the sports fans and the music fans. Cheers that erupted 10 seconds into a song. “Ohhhhh!!!!” in unison well after a song had ended.

    I didn’t stick around long enough to who won in the battle of beards and flannel versus tightly trimmed goatees and jerseys.

    ***

    On to Chester Creek Cafe where DJ Path Annu played early to fill in for Fancy Hands, who canceled. The setup was like a party in a basement rec room, chairs along the walls. He spun through his records.

    Yes, records. Just three days after I had a conversation with DJ Delgado about DJs nowadays, and I catch someone kicking it old school. No, DJ Path Annu told me, he’s not the only one left in town. There is at least another one.

    ***

    Bruce Wallin, who creates up some wicked stuff in Chester Creek Cafe’s kitchen (cough, cough Maverick Grits cough, cough) handed me a list of appetizer specials with a strong chicken theme: Crispy Korean Fried Chicken Wings, Chicken Confit Biscuits and Green Curry Farm Egg.

    That’s the Homegrown spirit: Eat the chicken.

    Danecdote followed, mixing stuff up on his Mac. This didn’t break spontaneously into dance, but it looked like it might get there by the time I left. My only regret is that I didn’t one of the burned CDs on my way out. I could see getting weird to that at stoplights when listening to it in the car.

    Homegrown Day Two: Arts Night


    2011 - 05.03

    There have been some mighty fine music videos in Homegrown Music Video Festivals past. Remember when Brian Barber turned the mayor into a cartoon character, the Aerial Lift Bridge into a transformer and Enger Tower into a weapon? Or how about the time that Erin McConnell and Jason Page joined forces to bring an amazing kite to life?

    But this year, film freaks, this year was the most across-the-board solid showing I’ve seen. Not a dud in the bunch. More videos featured the actual bands, and when they didn’t — heck, that was cool, too. There were narratives. There were abstracts and there were sitcom-esque visions. The theater space at Zinema 2 was packed, standing room only.

    The videos will be replayed around 10 p.m. Wednesday at Zinema 2, after the Trampled by Turtles show at Clyde Iron Works. Meanwhile, keep your eyes to the internet as these vids tend to crop up on Perfect Duluth Day.

    Some highlights:

    Trent Waterman, the eye behind North Shore Sessions, did a relationship-gone-wrong narrative and footage of musician Sarah Krueger playing guitar and singing her song “Running.”

    Josh Carlon, who went the animation route last year with “The Old Clyde Road” by Bitter Spills, pitted a man in a stark waiting room holding a tag with the No. 53 against a taunting electronic Take-A-Number system.

    Rich Narum had Little Black Books playing in the basement — and a pensive Mark Lindquist doing a shot at RT Quinlan’s, Norton had Excuse Me Princess (and friends) over for a dance party in the living room.

    Erin McConnell’s video for Loup-Garou’s song “Gone from Minnesota” was a relationship narrative starring Abe Curran and Tonya Porter that was really touching with its snippets of a life together and funny with its scenes of Curran in an elevator.

    Tim Massett went strobe-y to capture a song by Tim Kaiser, a scene that included religious imagery — within the non-stop blinking — that seemed like hallucinations. I think it might be the film David Foster Wallace wrote about in his novel “Infinite Jest.” He used found film footage.

    Meanwhile, a poetry reading was going on upstairs at Teatro Zuccone, and a photo show was hung in the atrium, including images from Homegrowns past. This gem, by Laramie Carlson, was taken after Bratwurst’s set last year. It is a pretty good advertisement to get thee to RT Quinlan’s for the last band on Friday night.

    Homegrown Day One: New Band Night


    2011 - 05.02

    In a perfect world, the Homegrown Music Festival would kick off with a parade down Superior Street. Musicians chucking picks and kazoos and Tootsie Rolls. Everyone would gather in Bayfront Festival Park for the annual reading of the Homegrown origin story and Pageant.

    In reality it started with a cry for help from a musician with the voice of an angel.

    “Who wants to give me a really bad haircut,” Old Knifey asked into the Twitter void.

    Young Old Knifey went on to win the Homegrown Pub Quiz with his teammates Mayor Don Ness and DJ Walt Dizzo at Carmody Irish Pub. This is the something-number of consecutive years this team has won. This year’s prize was lizard-shaped headwear, which was stolen from the winners within the first hour of ownership by Paul Lundgren and deposited somewhere in the city limits probably.

    Meanwhile, Sunday night at Pizza Luce looked like a Friday night at Pizza Luce. I think I said that last year, but I mean it even more this year.

    Damn that Swenson Band was a lot, a lot of people on a stage and two more violins than the current average for all bands everywhere between Jon Choi and Nori Teague Perrine. Nick Swenson’s voice suggests a metal band. But the acoustic guitar and fulltime harmonica player give it a country lean. Although, there was a head bang or two. Good show.

    Then … chaos. Aaron Gall and the Likely Story — name changed recently from Aaron Gall and the Collectively Compassionate Band — had even more people on stage. The usual lineup, plus a washboard, saxophone, trombone. After Gall broke like every string on his guitar he added an accordion. Let’s just say that if Gall had one of those prominent forehead veins, that sucker would have burst. He was all over the place. Dude has this kind of soul-style voice and this was exactly the kind of spectacle one expects to see during Homegrown Music Festival.

    Meanwhile, Crystal Pelkey used puffy paints to decorate a T-shirt (featuring Mayor Ness’s face) worn by live model Jon Lee. She wrote “Keep Duluth shark free” on the back and “Vote Ness” on the front. All while keeping up with the music.

    By the third song, Pelkey had gone Gallagher on a tub of Mod Podge while she danced and crafted. She closed the night playing a drumstick against a pint glass.

    Aaron Gall and the Likely Story closed the night with a song that seems to be titled “White Boy Drunk Tonight,” the band and the crowd chanting it over and over even after the lights came up.

    You’ll know which of your coworkers caught this. They’ll probably still be chanting it today.