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    India Palace Buffet: Wherein my pores emit mango pudding


    2008 - 12.26

    Today I demolished India Palace’s lunch buffet. Thanks to my mom’s 9-course Italian Christmas dinner yesterday, my stomach has been stretched to hot air balloon proportions, perfect for cramming various chutney’s and paneers and naans into every striation of tissue.

    The key here is to eat quickly: Shove as many vegetable pakoras down my throat as possible before my internal organs billowed enough to trigger my brain’s red-alert-max-capacity button. Readers, I did a bang-up job.

    Plate one was a delicious mess of the aforementioned pakoras, saag paneer, papadum, mint chutney, chicken and masala. I finished chewing while looming over the buffet, where i’d doubled back for plate two. By then I’d whittled my likes/dislikes down to maximize my plate’s potential. I ditched the masala, and coated my plate with saag paneer, chicken and papdum. Plus, my sidekick — a true foodie slash higher eduation reporter — and I ordered a side of garlic naan. It seemed a waste to go there and settle for the regular naan. That’s no way to go through life.

    I jumped up again, right in the middle of my sidekick’s story about blah blah something or other, interupting her to say "Excuse me. I’d like some rice pudding now." I picked up two tiny bowls, filled one with neon orange mango pudding, the other with rice pudding and proceeded to lick both bowls clean. I went back for another go-round with the mango pudding, which is doing great things to the orange-colored-foods food group.

    We were forced to limp carefully back to work. One false move or errant collision involving my stomach and a jutting railing could have ended in my sidekick’s pretty hair stripped with my green chunks of chutney. This lunch hour carnage, this buffet blood bath, took less than a half hour and was the best $9 I’ve spent in awhile.

    A Very Superior Christmas


    2008 - 12.22

    When I say that Superior, Wisconsin is the Vegas of the Northland, I mean it lovingly. I mean it as a person who’s favorite color is neon, who’s favorite food is whatever is being sold out of the back of a truck, and who has never gone to bed early without a fight.

    Superior caters to all of these needs. And during the holiday season, these things are as important as pretzels covered in almond bark and 28 consecutive viewings of "A Christmas Story."

    I moved to Duluth in November 2000 and didn’t quite make it home for a traditional Christmas. My options for Christmas Eve were to stare glumly at the CW Chips sign visible from my dingy third-street apartment, or to go with my other Duluth-locked friends to Superior, Wisconsin, which knows no holiday closings. Those days I was traveling in a pack that included T, a stocky Bulldogish sort with a sixth sense for sale-priced pitchers and H, a hairy fellow who dexterously aped dance moves invented by Prince. Both were exceptionally fun, so I velcro’d myself to their carousel. [This all fell apart after a road trip to Nashville years later.]

    The Log Cabin Tavern, located in South Range, was perfect. Busy and festive. Lots of scarves and hugging. I felt like we were crashing the high school reunion of people who didn’t realize we were not one of their own. We made friends. We danced. We made promises in the bathroom to return the next year and the next.

    We closed the night at the Hammond Spur station, lapping up the grease from a handful of jalapino poppers at the single table in the store. The only ham in the building was a can of Spam on the shelf, loaf-shaped and covered in that same glop that covered little Carol Anne Freeling in the closing scenes of Poltergeist. The closest thing to figgy pudding would have to be the mashed potatoes tanning under the heat lamp.

    It wasn’t Christmas, per se, at the Hammond Spur; it was bar close.

    We stayed long enough that the food-line thinned, and the Superior Police Department’s nightly Hammond Spur parking lot vigil ended. A woman behind the counter scraped up the remaining fried food and asked if I wanted the leftovers.

    Cheese sticks, potato wedges, poppers.
    Mini tacos, tater tots, chicken.

    Um … yes?

    She loaded two white bags with the food. Bags that would quickly become translucent with grease. A loot that ended up in T’s freezer for less than 24 hours before he binged on the mess. I’m assuming alone, at 4 a.m., in the blue glow of the History channel.

    We all agreed it was a very Superior Christmas.

    In later years, we would try to match the events of that night in 2000. But the Log Cabin was too busy in 2001 and we were unable to integrate the mass. Another year we ended up at Champs with about four other strangers and played pool. Our last very Superior Christmas was spent at Jack’s. By now it was just T and me. I scribbled notes about other patrons on a napkin, but quickly grew bored. There wasn’t much to report.

    Not every Christmas is a Superior Christmas.

     

    Geek Prom goes Gawker


    2008 - 12.08

    Geek Prom

    gets a

    shout out

    on

    io9.com

    , the sci-fi division of Gawker. Who’s that lovely Leia? Michelle "Purple" Rowley of Duluth who went as Princess Leia as if it were prom on Alderon at the most recent Geek Prom — mid-April at the Great Lakes Aquarium. [I only know this was her costume because this is what she told me. Where my knowledge of geeky things like, say, Battlestar Galactica is strong, I fall short on Alderon trivia. In case you're wondering, I went as hot-headed fighter pilot Starbuck.]

    Twilight: No one ever swooned over Robert Smith


    2008 - 12.08


    Photo of Robert Pattinson as Edward Cullen from Rotten Tomatoes

    The messy stock of dark hair, the pale white face paint with eye makeup from something like Revlon’s evening tones collection, and painted lips … Robert Pattinson’s version of Edward Cullen in the teen vampire romance "Twilight" has the young ladies so filled with romance that they can’t help right clicking on his image then saving as desktop background. 

    I’ve seen this guy before: His name is Robert Smith and he is the goth-guy lead singer of the moony ’80s band The Cure. While plenty of trapper keepers were scarred with Smith’s lyrics as graffiti, I’m not convinced anyone ever squealed at a picture of him. At least not in pleasure. [This is coming from someone who still has vintage Cure in regular rotation.]


    Photo from The Cure.
     

    Maybe it’s because, unlike Edward Cullen, Smith’s skin doesn’t shimmer in the sun like he was attacked by glitter-pen welding scrapbookers and a pore-sized Bedazzler. Although maybe he should consider it. I recently saw Smith on TV, rolling around on a stage covered in white makeup and thought: "C’mon, Robert. Still with the makeup? Even Madonna lost the cone bra at some point."

    I’ve not yet listened to The Cure’s lastest release 4:13. I have a copy of it. I bet it’s awesome.

    I did see "Twilight" though. Embarrassingly close to the day it opened. I couldn’t help it; I like a lot of things that 14 year old girls like: Jeans and hoodies from Abercrombie, Gossip Girl, Easy Cheese. I thought the book by Stephenie Meyer was awful. It should be subtitled: 101 ways to describe the color of Edward Cullen’s eyeballs. Not to mention that Bella and Edward have an emotionally abusive relationship. He loves her. He might eat her, though. Instead of a low-budget blockbuster, this should be an afterschool special.

    "Oh, mom," she gasps. "I can’t wait to have a boyfriend who sneaks into my bedroom to watch me sleep and gives me absolutely NO alone time and could kill me because I smell so good, but probably won’t because he loves me."

    The movie was better. It would have to be. It’s still not good, but the finale is totally "Matrix."

    You know what did make me woozy when I was 14?

    Donnie Wahlberg. First from left. I had no taste either.

    Dink Tank: Funny Business


    2008 - 12.06

    Dink Tank’s A Special Holiday Special. Photo by Bob King.

    The Dink Tank crew allowed me to be an embedded journalist while they were still ironing out the funnies of the holiday show "A Special Holiday Special." We were in a stark, brightly lit room a few floors above the stage, about two weeks before they opened. I tried to be quiet, but when — during one of the skits — Jody Kujawa attacked Nathan Carlblom with the sort of hip movements that would cost crazy cash at the Norshore Experience, I began silently convulsing and spilling hot tears of hilarity.

    These people are fricking funny.

    I went to Thursday’s opening of the show. What was showing promise in that little room definitely came to fruition. Renegade Theatre’s artistic director Katy Helbacka is a hilarious character actor, moving seamlessly from Paula Dean to Christmas’s biggest fan. Jody Kujawa is insanely funny, whether he is simulating motor-boating or screaming and stammering and sputtering. It doesn’t even matter what Evan Kelly says, as long as he is using his old lady voice or an Austrian accent. 

    The show, which runs close to two hours with an intermission, is broken up by videos: Helbacka as Dennis Anderson and a series called "I Won’t Be Home For Christmas."

    There is also an extended commercial encouraging people to move to Piedmont that is really well done. The opening and closing dance numbers tie everything together. I worried that I gave away too much when I previewed Dink Tank for the Wave, but really, I barely scratched the surface.

    Jeremy Messersmith: Just Like That Prom Photo of Your Dad


    2008 - 12.04


    Jeremy Messersmith played UMD Rafters on Wednesday night. Here he pulls out the old casio to accompany the song "Miracle" from his most-recent album "The Silver City."  Photo shoplifted from here with absolutely no regard for repercussions. With Andy Thompson. 

    Jeremy Messersmith looks like that prom photo of your dad from the late 1960s. The unassuming Minneapolis-based indie musician played his standard low-maintenance show at the UMD Rafters late Wednesday night. Just Messersmith and his guitar, Andy Thompson and his guitar, and an inexplicable percussiony something Messersmith referred to as a "blinkie box."

    He’s a pleasant singer/songwriter, Jeremy Messersmith. Just the sort of guy you want playing in the background on your fourth date. The one with scrabble, a bottle of wine and candles from Global Village. He is also, apparently, the sort of musician who is standing at the ticket table eating free candy when you get to his show. About five songs into the night he shrugs, looks into the small audience and says something like:

    "So what do you guys want to hear? You’re the ones who came to see me. I feel bad."

    Messersmith played songs from his 2006 release "The Alcatraz Kid" and his latest "The Silver City" — including his cover of the Replacements "Skyway." It’s probably tacky that one of my top three Jeremy Messersmith songs is a cover of one of my top five favorite songs by the Replacements. "Scientist" was good; and during "Franklin Avenue" he smoothly conquered notes unheard of for a man at such an advanced state of puberty. [See beard.]

    The fun-level peaked at "Miracles" when he pulled out the sort of Casio keyboard last seen under your Christmas tree in 1982 next to a Betty Crocker Easy Bake Oven. He held the toy up to the microphone.

    My only complaint is that he ended the night with the song "Light Rail," which is my worst-favorite song from "The Silver City." This thing sounds like the extended jingle advertising public transportation that you would hear on AM radio. Couldn’t he have just played "Skyway" again?

    Greycoats opened. This is a four-bearded-man Minneapolis band that made me think of everything from Cold Play to U2 to My Morning Jacket to George Michael circa "Father Figure." They were fun to watch, those quirky multitaskers: They all sing. Sometimes all at the same time. While drumming, while playing one of three pianos, while shaking something like a maraca. 

    Sometimes agorophobic and other stuff


    2008 - 12.03


    Photo of Ted Anderson and Scott Lunt of Father Hennepin stolen (without remorse) from here.

    Old news now, but the Father Hennepin-Giljunko-Father Hennepin show at Pizza Luce on Nov. 21st was a good time. Here’s hoping it happens again and again and again. 


    Here is a submitted photo from Scott Lunt. Candace LaCosse (shoulda been scenester) and me. I got to Pizza Luce early enough to claim this primo booth and didn’t move for the rest of the night. Whatever. Whenever I turn 21 again — or the next Homegrown Music Fest arrives — I’ll resume my spot in the front row.

    I left town for a day or so only to be reminded that Rochester, Minnesota, is no Duluth, Minnesota, when it comes to nightlife. Most of the bars in Rochester either smell like fresh furniture polish or remind you that you are one bad blow to the head with a pool stick from your last sip Grain Belt Premium.

    A few things I missed because I had a severe case of agoraphobia last week that could only be cured by upward of 25 episodes of "Weeds" and American Eagle’s finest in pajama-ware:

    Haley Bonar (times two)
    Jamie Ness at the Blue Crab
    Trailer Trash Bash at RT’s

    If I were you, I’d go see Jeremy Messersmith at 9 p.m. tonight in the Rafters at UMD. $5 for non-UMD students.