Weekend A&E wrap up

Here is what happened in the A&E world since we last talked:

Lawrance Bernabo reviewed Chicago Sunday night at Symphony Hall and got a bit nostalgic for a slow-dance partner from back in the day.

Tony Bennett reviewed Bob Mould at Grandma’s Sports Garden and saw an adorable mosh pit.

Bernabo reviewed Renegade Theater Company’s production of “In the Next Room, or The Vibrator Play” and said director Anika Thompson played it just right.

And, because he’s a machine, Bernabo also reviewed Lyric Opera of the North’s production of “La Traviata.”

Meanwhile, outside the city limits: Low caused a bit of chatter with its super long song during Rock The Garden on Saturday. City Pages called it “one of the most polarizing performances ever to hit Rock the Garden.” Al Sparhawk told the Star Tribune: ““We weren’t really trying to do anything ‘punk’ or pull one over on people. We tried but couldn’t get Prince to come out and play guitar on ‘On My Own,’ so we came up with other plans.”

The Current posted about it on its live blog.

Meanwhile, here’s the Star Tribune review of the entire afternoon, which includes Bob Mould’s pre-Duluth show.

Weekend A&E wrap up

Here is what has happened in the A&E community since we last connected:

Lawrance Bernabo reviewed the Duluth Playhouse production of “God of Carnage” and dug it.

What immediately impressed me was how little time it takes for this stellar cast to take the script into the hallowed land where everything is funny. These are marvelously measured performances, understating the absurdity one moment and going for the jugular the next.

I went to the 35th Annual International Polka Fest at Black Bear, which seems to have an unspoken “No Mean People” rule. Okay, one woman got mad at me — but only when I confessed that I’m not a dancer. Here is what the event was like.

Bernabo reviewed a re-creation of Judy Garland’s 1961 performance at Carnegie Hall, as played by female impersonator Quincey Roisum and called it “ambitious, heartfelt, daunting, exciting and long.” 

The Budgeteer went on a walk through at the Tweed with artist Anne Labovitz, who has an exhibition of portraits at the UMD gallery.

The editorial pages were filled with A&E content including: Our View considers the online campaign to name a street for Telly Sevalas, (“No,” says Our View) which turns into a nice 101 on the former Kojak star’s connection to the city. Kat Mandeville asked readers, in her Local View column, whether Crispin Glover’s contribution to the Duluth Superior Film Festival romanticized the rape and torture of women. Robin Washington looked at ticket sales for the Dylan-Wilco-MMJ-Richard Thompson concert at Bayfront Festival Park — including $200-something being charged by secondary sources.

This week’s Wave

A larger-than-life Paul Bunyan goes on a rampage in “Axe Giant,” a creature feature that opens Friday at Zinema 2. (Photo courtesy of Cinema Purgatorio)

Here’s what you will find in this week’s Wave:

An independent creature feature gives beloved lumberjack Paul Bunyan a character makeover — and a deadly weapon — in “Axe Giant,” which opens Friday for a week run at Zinema 2. Here’s the story.

Big Top Chautauqua has shows ranging from longtime outlaw country legends to original musical theater to Duluth’s bluegrass export for this summer. Here is the full schedule.

This week’s Best Bets include the Playhouse’s performance of “God of Carnage,” “Duluth is Horrible” gets its premiere, a talk show-sketch comedy hybrid graduates to a local stage, Anne Labovitz has an exhibition at the Tweed, a female impersonator takes on Judy Garland and her 1961 performance at Carnegie Hall and the 35th annual International Polka Fest kicks off Friday at Black Bear.

Tony Bennett reviews Christoph Bruhn’s “Weekends on the Frontier.” 

 

More from Mackenzie Astin

Mackenzie Astin, star of “Iron Will,” talks about his life during an interview in Grand Marais in 1992. (File / News Tribune)

Mackenzie Astin, who starred in the Disney movie “Iron Will,” will be part of a reunion for cast and crew from the movie that was filmed in and near Duluth in the early 1990s. He will be at the Depot at 5:30 p.m. Sunday as part of the Duluth Superior Film Festival.

I talked to Astin for this story. Here’s more:

ON WHAT’S HAPPENING IN LOS ANGELES
MA: We won our softball game last night. Nobody got hurt, which as even better.

ON THE ADVICE HIS FATHER GAVE HIM BEFORE HE CAME TO MINNESOTA
MA: My dad went to college at the (University of Minnesota) for two years in the 1950s. He said: “The people you meet in Minnesota are going to be the nicest people you meet in your life.” It holds true. It was true then and it’s true now.

Part of my (theory) was: It’s so cold you have to be inside and you learn how to get along with people.

Everyone I worked with was so good and so kind. It was a terrific experience.

ON RESPONSE FROM VIEWERS
MA: The film came out and I came across parents who would say, “My little one had a great experience.” I went from thinking, “Hey, it’s just a Disney film to, Hey! It’s a Disney film!”

ON THE EVE OF A MUSHING TUTORIAL
MA: We went to a bar in or near a hotel. Even though I was … I don’t think I was allowed to drink. I think I had a fake ID. We got hammered. I remember, barely, sitting on the shores of the Lake Superior on a concrete wall just being blotto – and having trouble going to sleep because I was that drunk. Just trying to show off. The next morning was a tough morning.

ON A DOG SLED DISASTER
MA: The dogs were supposed to go from Point A to Point B. They set them at the starting point and put trainers at Point B with bacon.

That morning, for whatever reason, Kyle or Chester (the dogs), lost the path. Instead of making a left turn, they just kept running straight off the path. As it happened, there was fresh snow. I couldn’t get any purchase with the foot brake. They kept going straight through the trees.

Then I remembered (from practice sessions) if the dogs are out of control, take the snow hook and jam it into a tree. It’s a big piece of iron with teeth on it.

I didn’t do it with enough confidence or gusto. It bounced off the tree, I ducked and the sled turned over.

The bow of the sled was headed for a tree. I dove off, missing the tree, and the sled went bammo, splitting the sled. It stopped the dogs for a second. I had to get up and run after them. I was able to catch up, put the sled on its side and lay on top of the side.

I was a little rattled from almost (getting hit by the snow hook) and smashing the sled. I looked up and there was no one around. I was a couple of thousand yards from where anybody was. It was like being in the movie: No one was there.

I cracked. I started crying. I was spooked. I was afraid. I’d almost gotten hurt.

The dogs were fine. They were having a ball.

ON SEAN ASTIN’S VISIT TO DULUTH
MA: As soon as they finished “Rudy,” Sean and his wife came to visit Minnesota. It gets cold in South Bend, but Duluth had South Bend by the tail. Those guys were frozen. I said “Go in the close and take all the warm clothes you’ll need.”

When they made it to the set, I could see them from quite a distance. I remember approaching. They had on a hodgepodge of clothes. (I said to Sean): “How fast was the plaid truck going when it hit you?”

ON THE ASTIN BROTHERS SIMILAR FILMS
MA: The message in both (“Iron Will” and “Rudy”) is very similar: Success of the human spirit.  A lot of the response he got (was the same as the response I got). “Rudy” found more box office success. Football gets more commercial time than dogsledding.

ON WATCHING ‘IRON WILL’
MA: I haven’t seen it in quite a while. In probably five years. I’m sure I’ll do that thing everyone does and say, “Oh, I look so young.”

ON ‘THE FACTS OF LIFE’
MA: It would be classified as The Big Break. It was fantastic. I was 12 years old … a budding adolescent who was suddenly the only male member of a cast of beautiful women. Not only that: For the writers, it was fun to have a new character that wasn’t already established. They could really have fun with the character.

ON BEING A TEEN HEARTTHROB
MA: I can promise you that I was much more popular and famous in my own mind. I was definitely on the second or third page of a few teen magazines. Thankfully, I’m still standing.

Maria Bamford has new web series

Duluth-raised comedian Maria Bamford has a new quick-hit web series featuring one of her most beloved characters: Her mom.

The show “Ask My Mom,” which airs on My Damn Channel, has 1 minute, 30 second blips featuring viewer submitted questions answered by Marilyn Bamford — as played by Maria Bamford.

There are two episodes currently available and a new one will be posted every Thursday.

Bamford is also featured in Season 4 of the Netflix series “Arrested Development,” which is now available for streaming.

This week’s Wave

Walt Disney’s “Iron Will” told the story of a 1919 dogsled race from Winnipeg, Manitoba, to St. Paul. The start of the race was filmed in January 1993 in front of Historic Old Central High School in Duluth, with the former school standing in for Winnipeg City Hall. (File / News Tribune)

Here’s what you will find in this week’s Wave (and elsewhere in the News Tribune):

Actor Mackenzie Astin will return to Duluth as part of an “Iron Will” reunion on Sunday at the Depot as part of the Duluth Superior Film Festival. Astin and others reflect on the movie made in and around Duluth about 20 years ago. (Also, on a personal note, I did not make it through my interview with Astin without mentioning the poster I had of him in my fort. So, failure. I was a big fan of his work on “Facts of Life.”)

Best Bets include the aforementioned film festival, the return of Black Label Movement, Michael Johnson performs in Cloquet, check out the Chicken Hat Plays and Three Bridges International Chamber Music Festival offers a free community concert.

Nicholas David, a Minnesota musician who appeared on last season of “The Voice,” will headline Fourth Fest at Bayfront Festival Park. And more park entertainment news.

Music reviewer Tony Bennett looks at Hobo Nephews of Uncle Frank’s album “Number One Contender.” 

Here’s the lineup for the Chester Creek Concert series.

 

 

This week’s Wave

Duluth Superior Symphony Orchestra music director Markand Thakar (center) greets DSSO board member Ruth Ann Eaton at the DSSO Spring Gala on Monday at the DECC. (Bob King / rking@duluthnews.com)

Here is what you will find in this week’s Wave:

The Duluth Superior Symphony Orchestra’s longtime music director Markand Thakar has one more concert here before he walks “off into the sunset.”

Best Bets include: Scarlet Rivera kicks off Dylan Fest, and more Dylan Fest, two days of steampunk at the Depot, midnight screenings of “The Shining” playing with the documentary “Room 237″ (which is SUPER great, trust) and West Duluth gets a music festival.

Music reviewer Tony Bennett reviews Minneapolis artist Courtney Yasmineh’s new album.

Three Bridges International Chamber Music Festival is offering workshops for musicians.

In case you were wondering: Long distance dedication edition

You might remember a moment during Day 1 of Homegrown Music Festival when the space lounge band Tangier 57 played the song “White Rabbit” — but first dedicated it to customers of Last Place on Earth.

Meanwhile, Jim Carlson was in the back of the room. Chatter ensued.

Reporter John Lundy recently spoke with Carlson about non-Homegrown related business and the store owner had this to say about that dedication:

“During the Homegrown I walked into (Tycoon’s) one day. I was getting a bite to eat a week ago last Sunday. I was waiting ten minutes for the food and somebody walked up to me … and somebody walks up to me and says, ‘Oh, Jim, do you like this song?’ And I said, ‘Yeah, it’s a nice song.’ And he said, ‘Are you listening to the words?’ And I said, ‘No.’ And he said, ‘Well the words to the song, it’s about a guy wanting to buy a poster, and he’s stuck an hour-and-a-half waiting in line at your store.’”

Carlson also noted that there were people wearing T-shirts with his likeness (like the Che Guevara shirts) during the festival and said:

“What I’m trying to get across is that not everybody hates me. It might only be 10 percent like me.”

This week’s Wave

David Moriera talks about the planned food fight that erupted during his recent artist’s dialogue at Duluth Art Institute in April. The institute is having an opening reception today for his exhibition. (Steve Kuchera / skuchera@duluthnews.com)

Here is what you will find in this week’s Wave:

Why did a bunch of art fans leave David Moriera’s April artist’s dialogue at the DAI reeking of Jell-O? Find out here!

Proctor native Sarah Stonich’s “Vacationland” — is it short stories? is it a novel? YOU DECIDE — is centered around an old resort in Northern Minnesota. Her huge tour of Minnesota libraries brings her to D-Town next week.

Best Bets include Wise Fool Shakespeare’s production of “The Merry Wives of Windsor,” a bunch of art stuff happens to end Visual Arts Week, UMD presents an opera, a longtime hard rock band plays at Clyde, a Minneapolis folk duo plays Teatro Zuccone, Nerd Nite happens and County Seat Theater considers the family road trip.

Music reviewer Tony Bennett calls Fever Dream’s album “delightfully chintzy breeze-pop” and says it is likely to go down as Marc Gartman’s “most enjoyable collection of tunes.”

Trampled By Turtles is scheduled to play the State Fair.

Crispin Glover is coming to town for the Duluth Superior Film Festival. You should probably watch this:

Also on the internet:

So: “One Man Lord of the Rings” is really something to see. You’ll cackle. It’s worth it to do a bit of homework beforehand. But if you don’t, whatever. You still get to see a cardio-capable actor get nutso for the trilogy.

Kickstarter roundup
Ryan Van Slooten is sitting on what he imagines will be his best album yet and has started a Kickstarter campaign so he can get into the studio. More info here.

 

Homegrown Day 6-8: The finale

Nate Holte (left) and Mike Billig of The People Say Fox perform at Amazing Grace Bakery & Café on Friday evening as part of the annual Homegrown Music Festival. (Steve Kuchera / skuchera@duluthnews.com)

On Friday night I tried to cram in as much Homegrown as possible before deadline and only managed to see, actually see-see, four bands. I felt in order to make it count I had to be there for at least three songs. And the last band I planned to catch either ended early or didn’t play so I was skunked at my last stop. Curses.

But here is what I saw. (As reported in Saturday’s News Tribune):

FRIDAY

THEFT BY SWINDLE
A well-behaved rock show erupted at Beaner’s Central. While Theft By Swindle, a band from the “Headbangers Ball” generation, worked its growly vocals, some of the audience hinted at an interest in aggressive metal behavior. There were animated nods, shy of actual headbanging, but from a seated position. Things were yelled, but those things sounded like encouragement and also were done from a seated position. No one flipped a single bird.

The band features Bret Walczynski and Butch Greene splitting time on vocals. Jason Szumowski on guitar and Thomas Anderson on drums. They’ve got garage band grit to them.

“This song is called ‘Red, White and Blue,’ — named after the beer” Walczynski said.

He sounded dangerously close to a full Axl-ian yelp.

Greene, dressed in a Ramones T-shirt, took the lead on “I Can’t Take It Anymore.”

THE PEOPLE SAY FOX
The award for most radio-ready goes to The People Say Fox, a young alt-rock band fronted by Nate Holte. He’s got a pretty voice and a celebrity level of dishevel between his grey cardigan and wash ’n’ wear hair.

Holte sang with an eyes-closed earnestness, like his soul was being squeezed, and in between pushed merchandise: free stickers, the album they released at the end of 2012 and limited edition 7-inch records.

He charmingly bumbled the introduction to a song:

“This is a song that we kind of — it’s a song,” he said, singing lyrics about how you’re the queen of hearts, I’m the king of the aces.

The band, which has been around since 2008, includes Mike Billig on bass, Nate Adelson on guitar and drummer Rio Daugherty. A version of this group opened for Cloud Cult. Friday’s slot was an all-ages show at Amazing Grace Bakery & Café, but this band seems tuned in to the U-21 crowd anyway.

MANHEAT
Jay Whitcomb had worked himself into a sweaty T-shirt early in rock band Manheat’s set at Legacy Glassworks, a small store with a mix of glass art, T-shirts, tobacco and paintings.

It was fast, it was frantic, it was scream-y — on stage.

In between songs the packed crowd was silent.

“Man, it’s quiet out there,” Whitcomb said.

When technical difficulties ended one song early, fan Ryan Nelson, who would play later that night with Bradical Boombox, quipped from the crowd:

“I’ve always wanted to see Manheat do an acoustic set anyway,”

Whatever broke was fixed and Manheat, which includes Jake Larson on bass and Brennan Atchison on drums, ramped it up again — hard enough to knock a piece of art off the wall.

JACK CAMPBELL & THE SKELETON KEYS
Jack Campbell, 18, is seemingly cultivating his eccentric rock ’n’ roll look.

The young, albeit veteran-ish, musician played an all-ages show at Teatro Zuccone, barefoot, while wearing black sunglasses and long plaid shorts. He was backed by Nate Rendulich on drums and Jimmy Arroyo-Roppo on bass, according to the Homegrown Field Guide.

Campbell, who is playing his third or fourth festival, took a swig of a lemon-flavored soda and said: “This song is super overly dramatic in a hilarious way.”

Campbell told the full house that he had recently worked on a single with a member of The Fray and Dark Dark Dark.

SATURDAY

FEVER DREAM
If there is an opposite of banjo band, Marc Gartman has found it with his latest project Fever Dream. We’re talking nobs, keyboards, eccentric clothing, sweat bands. And Gartman has this smooth sounds of the 1970s voice. This is the soundtrack to your next key party. Eric Pollard added percussion for the set that included his now-familiar tunes. In the weeks before Homegrown (and the album release) Gartman was sharing music videos made by Nick Sunsdahl and, in turn, everyone else was re-sharing them.

SUNDAY

Here is a shorty I wrote about young music heirs who performed at Sacred Heart Music Center on Sunday.